Bhaktivinoda Thakura explains in his Sri Chaitanya-Siksamrta that vidhi, regulation that forms the basis of vaidhi-bhakti, is not contrary to raga (spontaneity). Pure vidhi is helpful to raga, and pure raga is a result of vidhi that is in harmony with the will of God. Vidhi helps us cure diseased raga, and when raga is healthy, vidhi retreats.
"So also, to be engaged in (preaching) answering the questions of the environment automatically demands concentration, which is very rare in this age. When one is doing kirtan, he automatically cannot but give all concentration and attention. He cannot speak independently; intuitively, he must be all-attentive. "
A Vaishnava is fearless in all circumstances because he knows that Krishna will always protect him. Yet, if we examine the mood of the great souls, the sadhus and the acharyas, we can detect that a Vaishnava is fearful of only one thing vaishnava-aparadha, not for Himself but for the benefit of His devotees, and He therefore cautions His devotees accordingly.
The sastra and the Bhagavata in particular is full of descriptions of the Supreme Personality of Godhead and His pure devotees. The guru and the sadhu, who are also known as the devotee Bhagavata, lead their lives strictly in accordance with the book Bhagavata.
Thus it can be understood that Kala Krsnadasa was not an eternally liberated soul who fell down from the Lords association but rather he was a candidate from this material world and thus he was still susceptible to maya's influence.
As far as historical records show, dance in India has always been associated with spirituality and the pulsating rhythm of cosmic life. Indians have always held dance as sacred and have practiced it as a means of entering into divine consciousness. Shiva, a principal demigod in Indian religious tradition, is the saint of the sacred dance.