Swami BG Narasingha: Writings

As far as historical records show, dance in India has always been associated with spirituality and the pulsating rhythm of cosmic life. Indians have always held dance as sacred and have practiced it as a means of entering into divine consciousness.

Srila Prabhupada Samadhi Aratika composed by Swami B G Narasingha & Swami B V Giri (Sung daily at 5:30 am at Govindaji Gardens)

There are no movie theaters in the town of Guruvayur. No liquor stores. No night clubs. And no meat is eaten there. Guruvayur is a holy city where people come to make spiritual advancement. In fact, the atmosphere of devotion which pervades Guruvayur is so sublime and charming that one easily experiences transcendence when visiting this holy place.

Srila Prabhupada Lila-Smarana-Mangala-Stotram composed by Swami B.G. Narasingha Maharaja

In the Gaudiya Vaisnava sampradaya, the gayatri which the guru (bona fide spiritual master) gives to the sadhaka (devotee) at the time of diksa (initiation) is that of the Vedic diksa (upanayana) and also that of the Vaisnava pancaratrika-diksa.

There was a disciple of our Guru Maharaja in 1976, I believe his name was Ananta Dasa Sastri. He used to travel with Srila Prabhupada in India and he was in the Sanskrit department assisting Srila Prabhupada in translation work. That year he compiled five slokas which describe much of Srila Prabhupada's divine character and his divine mission also. Prabhupada very much liked these five slokas. We used to sing them every morning before Guru Puja by his vyasasana, so some of you may remember them.

The words 'Sri Caitanya Saraswata Parampara' indicate the disciplic succession (parampara) which was handed down from the time of Sri Caitanya Mahaprabhu to that of Srila Bhaktisiddhanta Saraswati Thakura. This parampara is a disciplic succession of divine knowledge (divya jnanam) also known as the 'Brahma-Madhva Gaudiya sampradaya' or the 'Bhagavata-parampara'.