Swami BG Narasingha: Writings

Some regard the ideal forms of sacred Vastu architecture as metaphors while others prefer to see them as fixed, eternal truths. In any case it is a fact that sacred architectural forms (as presented in the Vastu Shastra) have the ability to uplift the human consciousness from the mundane reality to the supernatural.

This time the attack against our parampara was coming from a young Indian scholar (once a member of ISKCON) who was representing the arguments and objections of the anti-party guru - an elderly Hindu scholar. As it turned out, in their opinion, not even Bhaktivinode Thakur is bona-fide, what then to speak of Saraswati Thakur and his followers

Ramanuja presented the living entities' relationship with Godhead as being one of eternal service. According to Ramanuja, when the living entities are freed from the illusions produced by the material energy by the method of devotion and natural love of God-like the dealings between an affectionate servant and his master—then the soul enters the spiritual sky known as Vaikuntha.

Most Vaisnavas refer to Krishna as having appeared 5,000 years ago and generally credit Vedic civilization and Vaisnavism with great antiquity. But what hard, empirical proof do we have for this assertion?

In Our Original Position, the deviation of Kala Krsnadasa is stated in chapter twelve as factual and inescapable evidence that the jiva soul falls down from the eternal lila

As far as historical records show, dance in India has always been associated with spirituality and the pulsating rhythm of cosmic life. Indians have always held dance as sacred and have practiced it as a means of entering into divine consciousness.

Srila Prabhupada Samadhi Aratika composed by Swami B G Narasingha & Swami B V Giri (Sung daily at 5:30 am at Govindaji Gardens)

There are no movie theaters in the town of Guruvayur. No liquor stores. No night clubs. And no meat is eaten there. Guruvayur is a holy city where people come to make spiritual advancement. In fact, the atmosphere of devotion which pervades Guruvayur is so sublime and charming that one easily experiences transcendence when visiting this holy place.

Srila Prabhupada Lila-Smarana-Mangala-Stotram composed by Swami B.G. Narasingha Maharaja

In the Gaudiya Vaisnava sampradaya, the gayatri which the guru (bona fide spiritual master) gives to the sadhaka (devotee) at the time of diksa (initiation) is that of the Vedic diksa (upanayana) and also that of the Vaisnava pancaratrika-diksa.

There was a disciple of our Guru Maharaja in 1976, I believe his name was Ananta Dasa Sastri. He used to travel with Srila Prabhupada in India and he was in the Sanskrit department assisting Srila Prabhupada in translation work. That year he compiled five slokas which describe much of Srila Prabhupada's divine character and his divine mission also. Prabhupada very much liked these five slokas. We used to sing them every morning before Guru Puja by his vyasasana, so some of you may remember them.

The words 'Sri Caitanya Saraswata Parampara' indicate the disciplic succession (parampara) which was handed down from the time of Sri Caitanya Mahaprabhu to that of Srila Bhaktisiddhanta Saraswati Thakura. This parampara is a disciplic succession of divine knowledge (divya jnanam) also known as the 'Brahma-Madhva Gaudiya sampradaya' or the 'Bhagavata-parampara'.